Eching, August 2010 – Sachtler, a Vitec Group brand, will showcase the brand new Cine DSLR fluid head as well as the new ENG / EFP Video 18 S1 and Video 20 S1 fluid heads at the IBC 2010. In addition, the German designer of camera support products will present a new camera stabilizer system: the artemis Cine HD Pro for professional film production and digital cinematography.

The Cine DSLR is well suited for the professional use with DSLRs shooting HD Videos such as the Canon 5D Mark II or 7D. Sachtler´s 50 years focused entirely in the Video market believe it can bring real expertise and benefits to the DSLR user when making high quality. The Video 18 S1 and the Video 20 S1 are the latest models of the legendary Video 18 and Video 20 ENG / EFP heads. The most important technical details are that the fluid heads now have a 16-step counterbalance, and the Video 20 S1 has an expanded payload range. Both heads still provide the classic Sachtler Speedbalance Technology and a Touch & Go plate.

Next generation: artemis Cine HD Pro camera stabilizer system

In addition to the fluid heads, Sachtler will be introducing new innovations in its artemis camera stabilizer system: The exceptionally efficient artemis Cine HD Pro features modular construction, dual video processing as well as HiCap wiring. HotSwap technology provides an uninterrupted power supply when changing batteries. At the IBC, artemis systems will be available for testing during hands-on sessions at the Sachtler stand in hall 11. artemis developer Curt O. Schaller will answer technical questions. 

The containers with camera, light and sound equipment eagerly awaited and donated by German companies, finally arrived at the “Friends of film makers and Free Journalism in East Africa (VeFJO) e.V.“ membership association in Uganda after a journey of several month. Sachtler was involved in the project that supports young film students in their education. The VeFJO membership association is dedicated to supporting students at the Kampala University, thus opening up real job prospects.

The equipment that was donated should help make lectures and tutorials more practice-oriented and better prepare students for working life. It is even possible to install a small television studio with the new equipment.

 You’re interested in the latest activities of the film class? Click here.

 On the VeJO e.V. homepage you will find the “Thank-you movie” from the students for the technology donation.

Eching / Germany, IBC 2010 – Sachtler, a Vitec Group brand, presents the Video 18 S1 and Video 20 S1 fluid heads at the IBC 2010. Two classics in the industry are experiencing their relaunch: the newly named S1 derivative fluid heads are the latest models of both legendary Sachtler ENG / EFP heads Video 18 and Video 20. They now have a 16-step counterbalance, as the focus during their further development was on making the balancing system even faster and simpler, an important feature especially for classic use of the heads in news or field production. Due to their expansive payload range both new heads are also suited for the use with DSLRs shooting HD Videos, such as Canon‘s 5D Mark II or 7D. 

Broadening the range of counterbalance by four or six steps enables extremely fine tuning which is valued by camera users. Additionally, the payload range of the Video 20 S1 has been expanded: just like the Video 18 S1, it is highly suited to cameras starting at two kilograms instead of seven. Both heads now have a Boost Button for a quick payload range shift and are therefore compatible with a large range of cameras. That way they are not only suitable for the conventional usage in the ENG and EFP areas with digital and HDV camcorders. Due to their heavy mass in comparison to the camera the tripod heads enable precise panning.

The Dakar Rallye challenge

New features such as a considerably more ergonomic control for the counterbalance and new parking positions for spare camera screws are aimed at making life even easier for the cameraman. Sachtler still relies on seven grades of drag for their heads, each horizontally and vertically. The self-illuminating Touch Bubble now only requires one battery. Of course the fluid heads have the well-proven Sachtler Speedbalance technology, a Touch & Go plate and tap holes for the viewfinder extension adapter. The heads have already passed tests under hard conditions with excellent results: the Dakar Press Team worked with the Video 18 S1 fluid head while they were documenting the Dakar Rallye – the S1 has already done justice to the Video 18's reputation as the number one News head.

The fluid heads are available.

 Technical Details Video 18 S1

 Technical Details Video 20 S1

 Press Pictures

• ENG
• DSLR

Technical Data Fluid Head Video 18 S1:

• Payload: 2 - 18 kg  / 4 - 40 lbs
• Counterbalance: 16-steps, plus Boost Button
• Grades of drag: 7 each horizontal and vertical, + 0
• Tilt range: +90° / -70°
• Tripod fitting: 100 mm bowl
• Camera fitting: Touch & Go plate 

Specials:

• Boost Button for payload range shift
• Parking positions for spare camera screws (Pin, 1/4", 3/8")
• Tap holes for adapter viewfinder extension
• Sachtler Speedbalance technology
  
  

To press release

• ENG/EFP
• DSLR 

Technical Data Fluid Head Video 20 S1:

• Payload: 2 - 25 kg  / 4 - 55 lbs
• Counterbalance: 16-steps, plus Boost Button
• Grades of drag: 7 each horizontal and vertical, + 0
• Tilt range: +90° / -70°
• Tripod fitting: 100 mm bowl
• Camera fitting: Touch & Go plate

Specials: 

• Boost Button for payload range shift
• Parking positions for spare camera screws (Pin, 1/4", 3/8 ")
• Tap holes for adapter viewfinder extension
• Sachtler Speedbalance technology
  
  

To press release

The FSB head suitable for the respective shooting conditions can be selected in accordance with different payload ranges. All heads work with the tried and tested Sachtler Speedbalance technology that enables a fast and target-oriented counterbalance. Based on the construction principles of other classic Sachtler heads, the FSB line offers no-compromise vibration dampig which is extremely subtle and finely graded in comparison to other manufacturers in the same payload range.

FSB 4: 0 to 4 kg / 0 – 9 lbs payload range

The FSB 4 fluid head is the smallest of the FSB line with a payload range of 0 to 4 kg / 0 – 9 lbs and is ideal for HDV camera users. Three horizontal and three vertical grades of drag as well as a dependable 5-step counterbalance system guarantee the camera operator optimal handling. The FSB 4 has an integrated flat-based fitting and fits tripods with 75 mm bowls.

FSB 6: 1 to 6 kg / 2 – 13 lbs payload range

The exceptionally long sliding range (120 mm / 4.7“) of the Sachtler Snap & Go sideload mechanism Snap & Go and the 10-step counterbalance, give the FSB 6 fluid head a special edge. Thus, quick and smooth counterbalance is also possible with a payload range of 1 to 6 kg / 2 – 13 lbs. The FSB 6 is ideal for using cameras that are equipped with accessories and is also alternatively offered with the Touch & Go camera plate. In addition, it has three horizontal and three vertical grades of drag plus 0.

FSB 8: 1 to 9 kg / 2 – 20 lbs payload range

With a payload range of 1 to 9 kg / 2 – 20 lbs, the FSB 8 fluid head is versatile. It has a 10-step counterbalance as well as five horizontal and vertical grades of drag plus 0. It works with the tried and tested Sachtler features, like Speedbalance and the self-illuminating Touch Bubble. The sideload technology, that extends the sliding range of the camera, is also practical. As with the FSB 6, the head is alternatively offered with the Touch & Go Plate. The FSB 6 T and FSB 8 T have parking positions for spare camera screws.

Team player: works with SOOM

Together with the SOOM multifunctional tripod system that can be used for height ranges of up to 250 cm / 98.4“ (lens height), the FSB line is a strong team for every position. The fluid heads function as a modular system with the FSB CELL, a 7.2 V rechargeable camera battery that is directly placed between the camera and the fluid head. With a high capacity of 10.5 Ah, the FSB CELL not only provides carefree shooting, but also extends the sliding range of the camera-setup. The energy-saving, compact, and dimmable Reporter LED camera light can be powered directly by the FSB CELL.

Secure position: 75 mm Tripod and Pedestal C I

In addition to SOOM, Sachtler offers three other tripods in the 75 mm range that offer impressive with stability and versatility: the lightweight Speed Lock 75 CF with quick release clamp as well as the ENG 75/2 D with two-fold extension and the DA 75 L, both with rotary clamp. Sachtler's Pedestal C I can be used in small studios and for outside broadcasting. It can be set up quickly without tools and guarantees vibration-free 'on air' movement with its smooth-running lifting column.

Accessories: adapter for FSB 6 and FSB 8

The FSB 6/8 adapter block is available for the FSB 6, FSB 6 T, FSB 8 and FSB 8 T. For mounting additional accessories, there is also the Sachtler accessory adapter with 1/4"-, M8- and 3/8“ tap holes. It can be used with fluid heads that have a viewfinder extension and an adapter block. The accessory adapter with clamping can be used to expand viewfinder extension.   

 To FSB 8 technical specifications

 To FSB 6 technical specifications

 To FSB 4 technical specifications

• Profis, semi profis
• Reportages, documentaries etc.

Camera types

• HDV-cameras
• DSLR-cameras

Technical data

• Payload range: 1 to 9 kg / 2 to 20 lbs 
• Counterbalance: 10 steps
• Grades of drag: 5 vertical and 5 horizontal, + 0
• Tilt range: +90° to -75° FSB 8 / +90° to -70° FSB 8 T
• Camera fitting: Sideload plate S with 120 mm sliding range (FSB 8) /
  Touch & Go plate DV, sliding range 60 mm (FSB 8 T)   
• Tripod fitting: 75 mm bowl, integrated flat base fitting
• Self-illuminating Touch Bubble

Key features

• Long sliding range of camera plate
• Robust, metal housing
• Tested Speedbalance technology
• Totally compatible with SOOM and the Sachtler FSB CELL

 To FSB tripod heads press release

 More information about FSB 8 fluid head

• Profis, semi profis
• Wedding videos, reportages, documentaries, amateur productions etc.

Camera types

• HDV cameras
• DSLR cameras

Technical data

• Payload range: 1 to 6 kg / 2 to 13 lbs
• Counterbalance: 10 steps
• Grades of drag: 3 vertical and 3 horizontal, +0
• Tilt range: +90° to -75° FSB 6 / +90° to -70° FSB 6 T
• Camera fitting: Sideload plate S with 120 mm sliding range (FSB 6) / 
  Touch & Go plate DV, sliding range 60 mm (FSB 6 T)
• Tripop fitting: 75 mm bowl, integated flat base fitting
• Self-illuminating Touch Bubble

Key features

• Long sliding range of camera plate
• Robust, metal housing
• Tested Speedbalance technology
• Totally compatible with SOOM and the Sachtler FSB CELL

 To FSB tripod heads press release

 More information about FSB 6 / 6 T fluid head

• Profis, semi profis
• Wedding videos, reportages, documentaries, amateur productions etc.

Camera types

• HDV cameras
• DSLR cameras

Technical data 

• Payload range: 0 to 4 kg / 0 to 9 lbs
• Counterbalance: 5 steps
• Grades of drag:  3 vertical and 3 horizontal, + 0
• Tilt range: +90° to -70°
• Camera fitting: Snap & Go Sideload Platte S
• Tripod fitting: 75 mm bowl, integrated flat base fitting
• Level Bubble

Key Features

• Long sliding range of camera plate
• Robust, metal housing
• Tested Speedbalance technology
• Totally compatible with SOOM and the Sachtler FSB CELL
• Only available in system

 To FSB tripod heads press release

 More information about FSB 4 fluid head

The SOOM basis system consists of a 75 mm tripod called the SOOM TriPod and a mid-level spreader called the SOOM TriSpread, which combine with a monopod called the SOOM Tube to create the SOOM HiPod system. The SOOM TriSpread can itself be transformed into an outstanding baby tripod with just a few easy moves. Thus the new slogan: “1+1+1=4” – intelligently combining the TriPod, TriSpread and Tube creates the SOOM HiPod system, making four products from just three.



Mike Steffl, a cameraman at the Bavarian Broadcast Corporation, has extensively tested the SOOM system. He has been fascinated by the system's unlimited possibilities: “A tripod system that offers the SOOM's range of applications has been missing on the market until now. No other tripod system offers the mid-level spreader’s brilliant second function as a removable baby tripod. Sachtler has virtually reinvented camera support.”


Flexible and reliable


The SOOM TriPod is based on Sachtler’s proven 100 mm single-extension ENG tripod and has a height range of 68.5 to 141 cm / 27 to 55.5". The SOOM TriSpread guarantees firm footing, and in its dual role as baby-tripod it also features a 75 mm head fixture and offers a height range of 20.5 to 48 cm / 8.5" to 19.3". The SOOM Tube can also stand alone as a monopod with a height range of 87 to 157 cm / 34.3 to 61.8". The intelligent combination of the TriPod, TriSpread and SOOM Tube results in the SOOM HiPod system, which telescopes to a maximum lens height of approx. 250 cm / 98.4".



SOOM offers the best prerequisites to achieve the best view at, for example, sports events, concerts or weddings, thus ensuring optimal shots from every perspective. It is also suitable for camera operators who travel alone, as the system offers a range of modules that combine to enable optimal shooting in any situation, including extreme shooting conditions. In addition, SOOM is robust, lightweight, easy to transport and absolutely reliable.


Creative and multifunctional


Camera operator Sebastian Georgi used the multifunctional tool to shoot for a fashion campaign of Hugo Boss. During the shoot experimental work, creativity and spontaneity were extremely important. And for Georgi, creativity also depends on the equipment used: “I like to get unusual takes that camera operators don’t normally shoot. Images that are blurred, concealed, reflected, distorted, greatly altered using digital processing programs, or even destroyed. The SOOM HiPod system’s multifunctionality and fast, flexible handling encourage his style of creative shooting. “The SOOM Tube allows totally new camera movements. It’s like a cross between a hand-held camera and mini-crane. We were also really impressed by the speed at which the Sachtler SOOM converts” adds Georgi.



Modular and compatible


The Sachtler FSB heads are especially suitable for the combination with SOOM: The FSB 4 to FSB 8. They wear the "works with SOOM" label, and are equipped with the FSB CELL – the innovative battery concept from Sachtler – and the Sachtler Reporter LED. Sachtler has developed a special bag for SOOM and the "works with SOOM" family: With carrying straps, wheels, and backpack straps, the equipment can also be easily transported on longer routes or rough terrain. In addition, there are pockets and holders for the heads as well as for the battery and the light.

 To SOOM Technical Specifications

 To SOOM press pictures

• HDV, DSLR
• Features, docu, sports, event

SOOM TriSpread (baby tripod / mid-level spreader):

• Height range from 21.5 cm to 49 cm / 8.5" to 19.3"
• Adjustment of leg angles: 35° and 55°
• Head fixture: 75 mm
• Feet: rubber spikes

SOOM TriPod:

• Height range: 68.5 cm to 141 cm / 27" to 55.5"
• Transport length: 82.5 cm / 32.5" (without accessories)
• Head fixture: 75 mm
• Feet: removable rubber feet or high-grade-steel spikes

SOOM Tube (Monopod / HiPod system):

• Height range: 87 cm to 157 cm / 34.3" to 61.8" (as monopod, with rubber feet: + 22 mm / 0.87")
• Height range: 88 cm to 225 cm / 34.6" to 88.6" (as HiPod system leads to a lens height of approx. 250cm / 98.4")
• leads to a lens height of approx. 250 cm / 98.4"
• Transport length: 97 cm / 38" (HiPod system)
• Head fixture: 75 mm
• Continuously adjustable height marks in 5 cm intervals
• Weight: 1 kg / 2.2 lbs (monopod), 5,8 kg / 12.8 lbs (HiPod System)

Specials

• Modular System, whose components can be used individually and in different combinations

Works with SOOM product line:

• FSB fluid heads, battery FSB CELL, Reporter LED

 To SOOM press release

 To SOOM press pictures

Eching, IBC 2010 – Sachtler, a Vitec Group brand, presents the further stage of the camera stabilizer system, the new artemis Cine HD Pro for professional film productions and digital cinematography, at the IBC. The new artemis Cine HD Pro is a completely revised system, which combines the traditional functions of the previous Cine and Cine HD systems with the modern equipment of the artemis EFP HD Special Edition. The modular concept of the artemis systems was expanded by a new 1.8" post and a matching new gimbal. 

The artemis Cine HD Pro has “Dual Video Processing”, which means HD SDI and SD Video signals can be used simultaneously. For the first time, the Hot-Swap Technology, a feature that only artemis systems have, is used in the Cine product range. Thus, during a battery change electrical power is supplied continuously and there is no need to shut down the camera, monitor and radio channels. Because of the HiCap wiring the artemis Cine HD Pro, like the artemis EFP HD SE, can provide more than 200 watt for the camera. It is, therefore, also capable to supply modern digital cameras with optimal power. The HiCap wiring not only keeps the power loss extremely low (voltage drop) but, in combination with the Hot-Swap technology, also allows for a longer operating time of the battery. Thus, depending on the type of battery used, the operating time can be doubled.

ACT2 1.8" Carbon Post and matching Gimbal

Part of the new 1.8" Carbon Post is the redesigned no-tool clamping and a newly shaped twist-proof inner tube with a diameter of 1.5". Therefore, monitor brackets and already existing accessories based on 1.5” diameter can be used further on with the new post. To match the new post the new gimbal offers high precision and a fine and functional design: a new diameter, new handgrip, new joke, more control and therefore, higher precision and nicer handling. Because of the modular design of the artemis systems, also previous artemis systems can be upgraded with the new ACT2 1.8” post and the gimbal. 

Hands-on at the IBC

Curt O. Schaller, who develops the artemis systems, presents the new camera stabilizer system and demonstrates its extraordinary features. The artemis Cine HD Pro can be tested by the visitors of the IBC.  

Precision made in Germany

The Cine HD Pro can also be expanded with modules like all of the Sachtler artemis products. The camera stabilizer systems are developed and manufactured in Germany and convince through highest quality and precision. The new artemis Cine HD Pro will replace both artemis systems, the Cine and Cine HD, in September 2010.

  Additional information at: www.artemis-hd.com and www.sachtler.com. 

 Take a look at the press picture.

Marko Vucic has been working with the Canon EOS 5D Mark II. “The new Video 20 S1 combines reliable quality with new features. Together with DSLRs, the movie tube PR and the Zeiss Compact Primes CP.2, which we favour, it is a fantastic combination. However, since such a system quickly runs up a weight of 15 kg or more, it must be used with the 100 mm tripod. Only then is it possible to work efficiently and precisely with the relatively small camera, which is not optimized for filming.“ The payload of the Video 20 S1 now starts at 2 kg instead of 7 kg and ends at 25 kg. 

Counterbalance increased by 4 steps

The counterbalance of the Sachtler Video 20 S1 has been increased from 4 steps up to 16 steps, providing for especially fine adjustment. Important functions for daily production include the Boost Button for a quick payload range shift, parking positions for spare camera screws, a Touch & Go plate, as well as the Sachtler Speedbalance Technology. Marko Vucic says, “Even minor technical improvements and simplified handling are worth more than gold for those working every day with this equipment.” 

 More information about the new Video 20 S1 fluid head. 

Eching / Munich, NAB 2010 – Camera stabilizing in any situation – whether at the Winter Games, soccer matches or boxing. The artemis EFP HD special edition camera stabilizer system from Sachtler, a Vitec Group brand, offers optimum functionality for camera work at sports events. The new high-capacity technology ensures an extremely long run time of both the camera and wireless systems. Thanks to Hot Swap technology, the replacement of the batteries is possible without interrupting the power supply to the camera, monitor or transmission path. Furthermore, the artemis EPF HD SE supports the processing of HD SDI video signals of up to 4.5 GHz as well as SD video signals.

With its multitude of characteristics and technical solutions, the artemis EFP HD Special Edition is perfectly adapted to modern HD cameras as well as to digital cinematography. Ideal for covering sports events, which are a particular challenge for camera teams and technology, the artemis system offers an ultra lightweight design as well as longer runtime. This is a decisive advantage, particularly when using wireless cameras. With the artemis high-capacity technology (HiCap), the operator and the OB van technicians are ensured increased reliability of the production process. As artemis developer and operator Curt O. Schaller explains: “Our new HiCap technology is based on a combination of new internal wiring and new connectors designed to maximize energy capacity of the batteries and provide an ultra low level of voltage drop, enabling extremely long runtime.”

HiCap: More than 200 Watts output
In addition to the standard outputs for camera power supply, focus power and aux power, the camera stabilizer system has a special HiCap (high-capacity) output for the camera’s power supply. The new power out socket (LEMO 2B 6 pin) was designed for the type and configuration of the RED ONE camera but can also be connected to other cameras with the new HiCap camera power cables. This enables up to 15 amps and 14.4 volts on the HiCap output, which is more than 200 Watts. The combination of the HiCap technology, Hot Swap and the new socket doubles the runtime of the camera and the accessories being used.

Voltage drop less than four percent
In the case of the RED ONE, which requires an average of 110 Watts, the EFP HD SE guarantees a voltage drop of less than four percent and the best and most efficient use of the storage batteries than was ever before possible with a camera stabilizing system. If original RED BRICK storage batteries are used, the new internal wiring allows the current battery capacity of the storage battery to be indicated on the display of the RED ONE.

Hot Swap technology: Replacement of storage battery without rebooting
Should a storage battery need to be replaced, the artemis EFP HD SE provides for a continuous power supply. “Therefore, the camera does not have to be turned off during the replacement and the transmission path to the OB vehicle is not interrupted,“ says Curt O. Schaller. “Because of the artemis Hot Swap technology, the camera operator is spared having to reboot which can save decisive seconds at sports events.“ A special electronic system from Anton/Bauer guarantees the smooth operation of the Hot Swap. 

4.5 GHz HD SDI video cable
The artemis EFP HD SE supports the processing of HD SDI video signals of up to 4.5 GHz. The HD SDI video cable allows the application of high-grade HD monitors, which are state-of-the-art, like the Transvideo Cine Monitor HD 6" SBL. The operator has maximum control over his/her work with the built-in waveform monitor, the digital bubble, as well as the freely adjustable frame lines. Of course the system, as well as the monitor also enables the use of SD cameras.

Modularity, Dual Dynamic Balance and ACT2 Vest
Additional features of the Special Edition artemis EFP HD SE are:

• The modular concept, which for the first time enables the application of a so-called “Super Post“ in an HD camera stabilizer system. By using the up to 1.6 metre long center post, unusual perspectives can now also be achieved when using HD cameras.
  
  
• The patented Dual Dynamic Balance allows for the free positioning of up to two batteries at four different positions on the lower sled of the system. Therefore, the system always has sufficient power as well as versatile battery mounting to enable quick and perfect dynamic balance.
  
  
• The artemis ACT2 Vest and the artemis ACT2 Spring Arm are ideal additions to the modularly designed artemis camera stabilizer system. The ergonomic vest is made of high quality materials and can be ideally adapted to the respective physique by means of the modular “7 segment design". The mating block is compatible with the American standard industry connector. The ACT2 spring arm is available in an aluminium version or in a lightweight carbon version as well as with three different sets of springs up to 26kg. The artemis ACT2 carbon version is ideal for live operation due to its light weight and the ease of use. 
  
  

Like all the systems of the artemis product line, the artemis EFP HD SE system offers genuine German engineering. Today, the artemis system by Sachtler has the most appealing cost/performance ratio on the market. To learn professional handling of the camera stabilizer system, camera operators can register to participate in a workshop at the Wendelin Sachtler Academy.

More information, visit: www.artemis-hd.com , www.sachtler-academy.com. 

The Sachtler fluid head Video 20 SB is ideally suited for electronic reporting: The head works perfectly within a wide temperature range of between -40°C to +60°C. It is also an attractive prospect due to its payload range of 7 to 25 kg, with a 12-stage counterbalance and 7+7 grade of drag. A fast and exact setting is guaranteed with Sachtler's proven speed balance technology.

Perfect for Outside Broadcast Teams

In addition to the fluid head, the Video 20 SB system contains the Speed Lock® CF HD (heavy duty) tripod, which is impressive due to its low dead weight, a double extendable quick fastener, as well as a transport length of only 75 cm. Furthermore, the package contains a mid-level spreader, rubber feet and an upholstered pocket.

Vancouver: Sachtler Service Partner

During the Winter Games in Vancouver, Sachtler has organised a special service for cameramen: The teams which have problems or questions regarding their equipment can request advice at the following number: Sachtler Service Partner, Applied Electronics +1 604 439 7228.

 Please find the press pictures here.  

The recipe for success: in tune with the times

As a professional cameraman, Wendelin Sachtler kept tuned to his customers’ needs in the years that followed, producing the first hydraulic heads with lubricated oil systems in 1967. In the same year, Sachtler also launched its Touch & Go® system, now standard world-wide. This automatically locks the camera after it has been placed in position, so that all the settings remain unchanged when it is removed again. “The secret of Sachtler’s success has always been our customer-orientated thinking and acting”, says Heinz Kossler. “We detect new trends and take action ahead of our competitors – that lets us strengthen and expand Sachtler’s strong world-market position in the fields of camera support, lighting and studio planning.” 

Fluid technology

Continuous developments in camera and lens technology spurred Sachtler’s designers on to make more and more innovations. In 1977, Sachtler’s legendary sealed damping system was awarded a patent. This system, while very simple, was way ahead of its time, with a completely sealed modular damping system that made it immune to external influences. First four, then seven and today nine damping stages work horizontally and vertically for complete reliability, so that every camera pan or tilt can be reproduced exactly at any time.

Camera support

With the advent of electronic cameras, Sachtler was one of the first to recognise the urgent need to build light, mobile camera support systems. In 1978, great market attention was gained by the introduction of the first ultra-light carbon fibre tripod. By the eighties, the bulk of Sachtler’s turnover was coming from the video industry, with many camera teams converting from 16 mm to electronic cameras for news reporting. In 1985, Sachtler launched the world’s first portable light pedestal. Sachtler’s lightweight construction had the invaluable advantage of being mobile, even with heavy cameras, thus ensuring smooth camera movement. In 1992, Sachtler was awarded the “technical Oscar” by the Academy of Motion Picture Arts and Sciences.

Lighting and suspension systems

Sachtler trumped its competitors in 1988 with the world premiere of a highly innovative 125 W daylight lighting system. By 1991, the company was able to feature a complete product range of daylight and tungsten luminaires. In 1992, with the production of suspension systems, Sachtler took the final step of becoming a full-service provider for studios. Since then, it has specialised in supplying turnkey studio solutions for the film and television industry.

Cranes and remote heads

In 2000, Sachtler broke into a new area in the field of camera support with the CamCrane DV and CamCrane EFP, augmented in 2005 by the Remo One remote head. In both cases, Sachtler kept to its philosophy of attending to users’ needs by equipping the CamCrane EFP with the proven Sachtler damping system – combined with the Remo One’s telescopic ability to guarantee absolutely steady pictures. 

Camera stabilising systems

A move in a new direction was taken in the year 2000: together with two experienced operators, Sachtler took a decisive step forward. The artemis series, now with five machines, now represents an important source of turnover and profit for the company and will shortly be augmented by the artemis DV Pro. Consistent co-operation with experienced camera support system users opens another area of new potential. Sachtler is the only producer able to supply a complete modular series capable of expansion at any time. The artemis EFP Pro is also unique, being the only camera stabilising system that can handle 1.5 GHz, making it a real HD system.

Takeover of OConnor

It was logically consistent for Sachtler, as the market leader in the ENG sector, to take over the market leader in the film sector – OConnor, Costa Mesa, USA -  in 2003, in order to expand its market share. With its revolutionary continuous counterbalance, OConnor had developed a system that fitted perfectly in Sachtler’s product portfolio. This system was used for Walt Disney productions as early as 1950. The OConnor range was expanded in 2004 to include the 1030HD and the 2060HD, specially designed to meet the needs of HD. In 2006, OConnor presented its 120EX, the flagship of its EXTENDED CAPACITY (EX) fluid head range. The patented head is based on the new EX-technology and features a new kind of stepless counterbalance system as well as a new ultra-smooth pan & tilt fluid drag designed for film-style shooting.

Made in Germany: the Sachtler Academy

In 2005, the Sachtler Academy moved into new premises at the company’s Eching site near Munich. For years, Sachtler had been running training courses and workshops for customers, business partners and staff world-wide. Originally intended as a service facility for clients and business partners, the Sachtler Academy has taken on the task of establishing new key areas when working with training establishments, and promoting a transfer of know-how between producers and users.

Sachtler’s makers

A staff of over 70 work at the company’s new head office in Eching, in development, prototype shop and administration. The world-famous Sachtler products – from fluid heads to tripods, stabilising systems, camera cranes, lighting systems, suspension systems, hoists, tracks and curtain systems – are produced in Costa Rica, Greece and the United Kingdom. All of Sachtler’s manufacturing premises, like the head office itself, are certified to ISO 9001. The sales organisation controls a world-wide distributor network, co-ordinating branches in Los Angeles, Milan, Moscow, New York, Beijing, Singapore und Tokyo.

This past spring, Polish television network TVP ordered 31 Sachtler Video 18 SB fluid heads along with Sachtler carbon fiber tripods, and three Systems 25 C III (Video 25 Plus fluid head and the C III Pedestal). TVP, with its headquarters in Warsaw as-well-as 16 local affiliates, provides eight television channels, including one in high definition. This latest order from the TVP network follows on the heels of 57 Sachtler systems purchased last year and 77 in 2007, including 56 Video 18 SB Systems. With this latest purchase, all of TVP´s studio and field production teams are equipped with Sachtler camera support equipment. Standardizing on Sachtler means that camera operators now benefit from the efficiency of using standard, interchangeable Sachtler camera support equipment. A second advantage is that the network´s maintenance personnel are experiencing lower service costs eminating from their need to keep a smaller spare parts inventory. 

Professional Sachtler lights for news studios in Turkey

Ninety Sachtler Topas 220TM lighting fixtures were sold to light three news studios of a large turkish television station. The station pointed to the extremely consistent light distribution and good color rendering in purchasing the Sachtler fixtures. The Topas lighting is ideal for television studios because they draw considerably less electrical power and generate very little heat. This not only saves energy powering the lights themselves, but also has resulted in a reduced need for studio air conditioning. The Topas 220TM can be controlled via DMX, and the fluorescent tubes operate absolutely flicker-free. The Topas 220TM fixtures will be delivered with four 55W fluorescent tubes and a pole operated yoke. The Turkish station´s decision to buy Sachtler Topas lights was made on the basis of their outstanding quality, and an overall great price-benefit ratio.

Three different categories – “Ideas in Motion“, “Made with Sachtler“ and “Competence Center“ – now offer video clips for visitors to view. Show reels and training videos present Sachtler products such as the artemis DV Pro camera stabilizing system, Vario Ped and Studio Ped pedestals and the Reporter 75HD luminaire. The films focus on the products’ special features and their various fields of appli-cation. In addition to presenting Sachtler products, the Video Theater selection, “Made with Sachtler”, offers user stories, works and interviews.

Click here to access Video Theater

In addition to the GDA, SOOM has won important industry awards like the DV Black Diamond Award, the TV Technology Star, the Vidy Award, the Digital Content Producer Pick Hit as well as 4EVER Group’s Product Innovation Award. Each jury was impressed by the tool’s unique modular and multifunctional concept: at low weight, three individual elements can be variably combined, thus offering a wide range of possible applications. The “Works with SOOM” series offers products completing the GDA-awarded system perfectly: the Sachtler FSB 2 and FSB 6 fluid heads, FSB CELL battery system as well as the Reporter 8LED on-camera light.

SOOM it your way!

The Moscow workshop will also be an international forum for free exchange of concepts and ideas between the participants. “We have gained new insights, acquaintances, ideas and plans from this event”, said Timur Musaev of DNK, referring to the first workshop in Moscow. These industry-specific discussions will be an important feature part of the second Moscow event.

The price for this four-day seminar is 980,- Euro (plus VAT).

Please register at www.sachtler-academy.com where you will also find detailed information on the Wendelin Sachtler Academy.

ECHING, September 2008  – at the IBC (booth 9.C40) and cinec 2008 (booth 3-D20) the Wendelin Sachtler Academy presents their workshop schedule for autumn 2008. The seminars offer professional support and practical experience in lighting arrangement, HDTV workflow and camera stabilization. The participants can select their appropriate level, from basic to continuation courses, whose contents are coordinated between each course. 

Under the guidance of experienced lecturers such as cameraman Leo W. Borchard, Professor Dr. Johannes Mueller or Operator Curt O. Schaller the participants receive the basic theory for the corresponding topics. After a thorough discussion about the equipment as well as its safe and optimal use, the participants start the practical part of the workshop. The Wendelin Sachtler Academy has a studio in Eching, Munich and so is perfectly suited to high calibre and wide ranging training units. In the context of the different workshops, the seminar participants have the opportunity to work with and extensively test the appropriate Sachtler equipment. In addition, they can be trained with their own equipment.

Modular and practical

This modular workshops system is suitable for amateurs and professionals, who would like to extend their level of knowledge in the areas of lighting arrangement and HDTV workflow as well as working with a camera stabilization system. The workshop "Basic Camera Stabilizing System" is particularly popular with participants and so is offered three times: It takes place twice in Eching and once in Moscow. During the seminars exercises, the participants’ current knowledge is strengthened and they are able to use it in practical applications. In addition to this, contacts can be made with other film technicians from the industry during the workshops. At the end of the course, the graduates receive a certificate from the Wendelin Sachtler Academy, which is a recognised certificate for their future vocation.

The workshop dates schedule:

07 - 10 October 2008:         Basic Camera Stabilizing System in Eching
20 - 24 October 2008:         Basic Camera Stabilizing System in Moscow
27 - 31 October 2008:         Advanced Professional Lighting in Eching
25 - 28 November 2008:     Basic Professional Lighting in Eching
02 - 05 December 2008:     Basic Camera Stabilizing System in Eching

Register at www.sachtler-academy.com. Here you will also find further information about the Wendelin Sachtler Academy.

ECHING, IBC 2008 / cinec 2008  – SOOM, the multifunctional camera support tool from Sachtler, a Vitec Group brand, can be tested at IBC and cinec 2008.

At IBC 2008 and the cinec 2008, everyone can test the flexibility and various capabilities of the SOOM, at the Sachtler booths (9.C40 and/or 3-D20). The compact SOOM HiPod system consists of the SOOM TriPod, the SOOM TriSpread (usable as a mini tripod and a mini spreader) and the SOOM tube (Monopod) three products, four application possibilities. It’s modularity and light weight, 5.8kg enables the SOOM to capture not only event, documentary and advertising filming, but also work allows cameramen to work single handedly. SOOM, which was introduced exactly one year ago onto the market, at the IBC 2007, received five honours at the NAB 2008 as well as a lot of praise, in various practice tests from cameramen and technical magazines.

At IBC test units "experts" tell of their experiences with SOOM. For individual hands on there are not only the individual modules from SOOM available, this tool can be also combined with the "Works with SOOM" products from Sachtler:  FSB 2, FSB 6, FSB CELL, Reporter 8LED. The possibility for hands on exists at the Sachtler stand daily from 10 a.m. to 5 p.m.

IBC 2008
Booth: 9.C40

cinec 2008
Booth: 3-D20

ECHING, IBC 2008 / cinec 2008  – "Steadi operators don’t have it easy." – Sachtler, a Vitec Group brand, clears up this prejudice with the artemis hands on at the IBC and cinec. At the Sachtler booth 9.C40 (IBC) and booth 3-D20 (cinec), the artemis ACT 2 carbon spring arm and the extremely flexible artemis ACT 2 vest, will be shown.

Prospective customers have at their disposal, different versions of the camera stabilization system from Sachtler – for example the artemis DV Pro MD or the main version, the artemis Cine HD. Experienced artemis operators and developers will present the function modes and the product features. Each visitor can also operate the innovative systems. The ACT 2 carbon spring arm is particularly interesting: it is based on a free moving lightweight construction and is particularly suitable for fast courses of movement. In this version the ACT 2 spring arm is a much lighter arm with an even more sensitive response mode.

More information on the ACT 2 carbon spring arm and the ACT 2 vest at www.artemis-hd.com.

During the anniversary party Jürgen Sommer, Director of Brand development, and Stefano Finessi, EMEA Sales Director, Camera Dynamics presented awards the most successful Sachtler retailers for the years 2006 and 2007.

In five categories the following ten retailers received awards:

Best Sachtler Camera Support Agent
Moncada Y Lorenzo, Spain (for 2006)
Soroush Multimedia Corp., Iran (for 2007)

Best Sachtler Lighting Agent
Ibertelco, Portugal (for 2006)
United Broadcast & Media Solutions, UAE (for 2007)

Best Sachtler artemis Agent
Trans Audio Video s.r.l., Italy (for 2006)
D&K Corporation, Russia (for 2007)

Longest serving Sachtler Agent
Calavitis S.A., Greece
Bico Professionel Aps., Denmark

Best German Sachtler Agent
ECC Stutenbäumer KG, Germany (for 2006)

For further information, please visit: www.sachtler.com

Further information under www.sachtler.us

Sachtler, Camera Dynamics GmbH 

Sachtler, founded in 1958 by cameraman Wendelin Sachtler, is the worldwide market leader for professional camera support systems for cinematography and television production, its name a symbol of top quality and reliability for decades. With an extensive range of camera support systems as well as a finely modulated product line of reportage lighting, Sachtler is the highly qualified partner for cameramen, film and TV studios.
Since 2000 Sachtler has been offering the artemis modular camera stabilizer system. With its numerous workshops and training sessions, the Wendelin Sachtler Academy has become a top address worldwide for invaluable know-how and the exchange of information, creating the ideal international platform for creative talents. 

 More informations can be found at www.sachtler.com.

A Snapshot of The Vitec Group

Vitec is an international Group principally serving customers in the broadcast, photographic and military, aerospace and government (MAG) markets. Listed on the London Stock Exchange with 2009 revenue of £315 million, Vitec is based on strong, well known, premium brands on which its customers worldwide rely. Vitec is organised in three divisions: Imaging & Staging, Videocom and Services.

Imaging & Staging designs, manufactures and distributes equipment and accessories for photography, video and events.

Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG.

Services provides equipment rental, workflow design and technical support for camera, video, audio, fibre optic and wireless technology used by TV production teams and film crews.

  More information can be found at www.vitecgroup.com

Eching, 29 May 2007 – For the Sachtler Academy, the CABSAT congress was a huge success. The academy introduced its multi-facetted workshop program there, attracting great interest from Arab visitors. The positive response has now led the academy to expand its engagement – into the virtual world of the Middle East. A website specifically designed for Arab Internet users under www.sachtler-academy.com provides detailed information about our workshop program. “Our Academy workshops have uncovered a gap in the market. We have never before seen such outstanding workshop opportunities within the Arab world. Sachtler is now in the process of gaining a presence in Dubai, and our workshops will enable us to establish the Academy there. Our websites are an initial step that provides Arabs interested in our workshops with information about the Academy,” explains Marion Ahrensfeld, who is in charge at the Academy.

Academy in Arabic
As soon as they open the Academy’s home page, the Academy logo welcomes visitors in Arabic. Without delay, users are linked to the Arab website, where they can find the contact details of Ahmad Nana’a, their contact person in the Arab world. The workshop program is available as a download in both Arabic and English. Visitors to the website can also answer an online questionnaire in Arabic that asks media representatives for their expectations with regards to seminar content. This enables Academy organizers to gauge what Arab media representatives want from our workshops, allowing us to conceive training seminars that target participants’ interests.

Cooperation with a future
Our discussions with studio operators and dealers have shown that they are extremely interested in cooperation. The first cooperative projects and partnerships have already begun, and the first workshops are soon to take place. “The web pages in the Internet are a further step towards intensifying our cooperation with our Arab friends and colleagues. These days every professional in the world realizes that the only way to stay ahead of competition is to constantly keep up with the latest technical and technological innovations and trends. A smooth exchange of information with colleagues is crucial to this, making the Academy’s web pages the perfect platform,” adds Marion Ahrensfeld.

  Press photo

  Press photos

• professionals, semi-professionals, amateurs
• productions in the fields of sport, wedding films, reports, documentaries, leisure, etc.

Camera types

• Sony:  PD 100, PD 150, PD 170, DCR VX 2000, DCR 2100, HDR-FX1, HVR-Z1U
• Canon: XH-A1, XH-G1, XL-H1, XL1, XL2, XM2
• Panasonic: AG-HVX 200, AJ-DVX 100, AJ-DVX 110 A, AJ-DVX 110 B, DVC 80, DVC 30

Technical features, FSB CELL

• weight: 0.65 kg / 1.4 lbs
• nominal capacity: 10.5 Ah
• nominal voltage: 7.2 V
• end of discharge voltage: 5.4 V
• operating temperature charging: +10°C to +40°C / +50°F to +104°F
• operating temperature discharging: -20° to +60°C / -4°F to +140°F
• dimensions (l x w x h): 18 x 9 x 4.5 cm / 7.1 x 3.5 x 1.8 in

Technical features, FSB CELL charger

• weight: 0.4 kg / 0.9 lbs
• input voltage: 90 to 250 VAC
• input frequency: 50 to 60 Hz
• operating temperature: 0° to +40°C / +32°F to +104°F
• dimensions (l x w x h): 13.5 x 8 x 5.5 cm / 5.3 x 3.1 x 2.2 in

Specials (FSB CELL only)   

• high capacity
• fits directly below the camera on the fluid head
• lower side of the battery is shaped like a camera plate
• sliding range expands to 225 mm
• the perfect partners for Sachtler’s newly-developed fluid heads, the new generation of MiniDV and (H)DV cameras.

The product will be launched for the EMEA market at IBC 2007.
For further information, see www.sachtler.us.

  Press photos

  Press photos

• ambitious camera operators from the fields of documentaries, musical video, wedding films, sport, events, etc.

Camera types   

• (H)DV cameras

Technical features

• SD video signal processing
• sideload plate S
• no-tool side to side
• no-tool telescopic center post
• no-tool, self-centering, low friction gimbal
• no-tool monitor support
• lower sled with dynamic balance
• battery holder for Anton/Bauer, PAG, V-mount
• weight including monitor 2.9 kg

Specials

• back-mounted vest
• interchangeable spring sets
• dynamic balance
• professional accessories

Price

• EUR 5,400 net.

For further information, see www.artemis-hd.com.

  Press photos

  Press photos

• professional productions in the area of cinematography, television, documentaries and sport
• compatible with artemis EFP, artemis EFP Pro HD SDI, artemis Cine and artemis Cine HD, as well as all current systems with 5/8" gimbal and vests with a standard industry connection

Technical features

• light, torsion-free construction
• three spring sets for loads from 11 to 26 kg
• extra-easy spring pre-tensioning
• flip-over mechanism for the titanium vest connection (mating block)
• compatible with all vests with standard industry connection (socket block) and with 5/8" gimbals
• adjustable arm post friction
• arm post available in three lengths (6", 10" and 12")
• all adjustments can be made with a 4 mm Allen wrench
• matt-black surface

Specials

• German engineering
• light construction
• reduced weight for longer operationtuned for touch: new surface with no rough edges
• fully compatible with standard industry connections (arm / vest)

For further information, see www.artemis-hd.com.

  Press photos

 
Synergy effects on the German and Costa Rican side
The location in a tax-free zone allows Sachtler to produce high quality products at competitive prices in all product areas. “In order to ensure that our customers enjoy their accustomed Sachtler quality, production in Costa Rica is carried out at the most modern level” says CEO Heinz Kossler. “Our development engineers in Munich and production engineers in Costa Rica are constantly in contact. The latest requirements are discussed and implemented at regular information exchange sessions. Naturally, there are also reciprocal visits and comprehensive documentation.” There is a strong awareness of the high standards required on both sides, with customers relying on the well-trained staff in the Vitec Group worldwide.

 
Suppliers produce to Sachtler standard
Not just the business and Sachtler benefit from having production in Costa Rica. In the past eight years, production there has also boosted growth in the supply industry: “The systems used in industrial production, such as machining, rubber processing and plastic injection moulding, have been constantly developed and were based on our strict quality requirements right from the start,” says local CEO Julio Lizano. “Suppliers here produce to Sachtler’s own standard, enabling us supply top quality at all times.”  

Full production by 2008
With the new machines installed, full production is expected by 2008, Heinz Kossler and Julio Lizano are looking expectantly to the future:  “The combination of German ingenuity and Costa Rican productive efficiency has paid off in full measure,” they said, “giving ample scope for more products featuring Sachtler’s traditional standards: security, reliability and robustness.”

The new website is a perfectly structured platform on which visitors can find specific, up-to-date information, or simply gain an overall impression:

• the site gives all current exhibition and workshop dates
• the dealer search feature only needs a few clicks to find a Sachtler dealer near you
• Sachtler’s team is presented in detail
• the Made with Sachtler section presents exciting, visually attractive stories of filming from all over the world, made visually attractive
• visitors can find out everything about the successful Sachtler story, from its establishment to the present day
• the website presents detailed information on every Sachtler product: technical data, product specification sheets or user information are available at all times to be downloaded.

Everything from A to Z
Do you have a query about a particular Sachtler product? No problem! You can find out everything you want to know about a product quickly and directly, by mouse-click. Whether it’s information about fluid heads, camera stabilizing systems, reporter lighting or a special tripod system, the new website’s sophisticated search function lets you specify the product step by step. The product you want is quickly found, with full technical details. The site also features useful tips and tricks on handling the individual items.

If any question remains unanswered, you have the option of contacting the relevant expert direct by email. As Sachtler’s new website leads you step by step through its complete product portfolio, users always have an overview of the complete product range. You get the best possible support at all times when looking for a suitable product for all types of filming. Sachtler’s new website lives up to company tradition, with a solid range of information perfectly matched to its customers’ needs.

The operator can check for correct air pressure in the column with a simple glance at the built-in pressure gauge, which is also very useful when the column is being air charged with the pump. Additional features of the new C III Pedestal include the exceptionally robust dolly and a steering ring.

The pedestal’s technical specifications and comfortable handling are largely similar to the existing, highly successful C II model. The C III Pedestal is available for delivery and is also available in a system package with the Video 15 SB fluid head and the Video 25 Plus FB.

Light, yet extra-stable camera support systems are a must for professional work on the set. Whether in the studio or under extreme conditions – at 40 below zero in Alaska or sixty Celsius in the Sahara (-40/+140° Fahrenheit) – the camera must be as flexible as possible in use, so that even exceptional settings can be used. Stability can only be guaranteed by the perfect alignment of all components that have to work like a clock over many years of professional use.

Key components: fluid heads in use

Sachtler fluid heads are absolutely reliable in use: “Extreme temperatures have no affect on how our fluid heads work or on their durability”, says Robert Zierer, Sachtler’s Product Manager ENG. ”They work smoothly, contain no hydraulic oil that will gum up (resinify), and so are completely immune to external influences.” Even under exceptional conditions, the Sachtler heads are easy to use: “Camera operators no longer have to turn the fluid head back and forwards to find the point of balance, but can get a perfect setting with a finely-tuned counterbalance system”, says Zierer, explaining the niceties of the heads. Further advantages of the Sachtler fluid heads are that they can be accurately re-positioned, with quick setting of damping and counterbalance, the so-called SPEEDBALANCE. Whether it’s a MiniDV camcorder weighing only a few hundred grams, or a heavy film and studio camera weighing in at well over 50 kilos (110 lbs), Sachtler has a suitable fluid head for every model.

The key figure showing the load-bearing capacity of a fluid head is the so-called centre-of-gravity height (COG) of the camera assembly on the fluid head. It gives the dimension between the centre of gravity of the camera and the upper level of the fluid head used. The smaller the figure, the greater the camera weight can be.
All Sachtler’s fluid heads are suitable for use with high definition (HD) cameras. Some products are specially geared to the working habits of classic film camera operators, with the operating elements put in their usual places. Many proven film camera features have also been integrated for cinematography camcorders, such as an adapter for the viewfinder extension or the front box.

Standing steady on your own three feet

However, a fluid head can only perform at its best when matched with a suitable tripod or pedestal. For 47 years, Sachtler tripods have proven their worth all over the world, with their no-compromise light-weight construction and extreme rigidity. Sachtler uses dural aluminium (DA) and carbon fibre (CF) for its tripods and pedestals. Both feature extreme load-bearing capacity and resistance to fracture, even under extreme conditions. Carbon fibre also has decisive advantages over the cheaper aluminium. It weighs considerably less, making it ideal for mobile use and it is more pleasant to the touch at extreme temperatures. For even greater stability, Sachtler features its HD tripods (heavy duty). The Hot Pod® gives film and TV professionals the world’s fastest ENG (electronic news gathering) tripod system in carbon fibre.

Head and shoulders: the perfect connection

The right connection for the fluid heads depends on the load to be carried. Light MiniDV cams only need a 75 mm bowl, while digital camcorders need a 100 mm bowl and heavy film and TV cameras are best placed on tripods with a 150 mm bowl. Studio pedestals and OB tripods are equipped with a flat base fitting for the appropriate fluid heads. Individual tripods may also be fitted with adaptors for other applications.

Stability and mobility: tripods

Simple extending tripods usually have a twist fitting that locks the leg at the required extension in seconds. Double extension tripods with Sachtler quick clamping system are locked immediately by reversing a lever. The patented SpeedLock® clamping system is even more convenient in use with double extension tripods: both locks on the tripod’s legs are released in a flash, using only one quick-action lever.

Pedestals: easy to manoeuvre

Sachtler’s studio pedestals make life a lot easier for camera operators. The Quickfix attachment makes for speedy head changing. The wheel positions can be seen at all times and all three wheel brakes can be operated in every position. The crab-and-steer function enables simple manoeuvring with defined rolling turns, while the surfaces are rubber-coated to push the unit with your foot. For the safety of the camera team, the lead weights for the column are coated in plastic.

Camera stabilising systems: artemis – Sachtler’s crossover machine

The camera stabilising systems in Sachtler’s artemis range feature a modular system for ease of expansion. The systems are designed as so-called crossover machines. The range thus covers all the requirements of film, TV and high definition operation. Sachtler designed the artemis EFP Pro SDI HD specially for the new generation of HD cameras with SDI interface. This rig uses a patented cable system for reliable transfer of high data levels. The artemis EFP entry-level system has been designed for use with video cameras, camcorders and 16 mm cameras and features Sachtler’s widely-used Touch & Go® quick-locking system. If required, this EFP system can be up-graded to an artemis Cine HD. For detailed information, see: www.artemis-hd.com.

Camera cranes: perfect damping

In 2002, Sachtler expanded its product range to include the CamCrane DV and CamCrane EFP lightweight cranes. The CamCrane EFP was designed for extra low vibration, to ensure good recording quality. Damping packages, which had proved themselves over many years in Sachtler fluid heads, were also used for the crane. Its unrivalled three-stage damping reduces the crane’s vibration to a minimum. The CamCrane EFP can be run out to various lengths, up to a maximum of 6.5 m (22 ft). The crane can be used for parallel, top and bottom views. It comes with the proven Touch & Go® camera plate. The camera can be put in place for an immediate switch between crane and tripod. The camera selected can be quickly balanced, using the sliding plate. With its low weight and compact dimensions, the crane is ideal for mobile use.

Remo One remote head: flexible in use

The “Remo One” remote head weighs only around six kilos (13.2 lbs). Yet it has a load-bearing capacity of up to 13 kilos (28.7 lbs) for film and video cameras. Its joystick operation make starting and stopping smooth and easy. Its intelligent electronics count how often the head swivels and warn the operator of any likely damage to the cable. It has an external control box where speed, direction and damping can be pre-selected for the remote head. The Remo One was designed to be extra flexible in use. As well as its classic “suspended” fitting from the CamCrane EFP, it can also be used in a standing position, e.g. on a Sachtler
OB 2000 tripod.

Co-operation is the motor behind innovation

Sachtler has had a long tradition of co-operating closely with filmmakers in designing new products – after all, the founder was himself a cameraman. The result of various co-operative activities in the camera support area have been not just product novelties, but the revision and development of proven products. ”Our philosophy is to design products that are light, sturdy and well-finished, easy to operate, with an above-average working life”, says Robert Zierer. The company’s objective is to put a perfect instrument in the camera operator’s hands, to set your ideas in motion!

“Technical innovation is always linked with a gain in know-how that needs to be passed on,” says Heinz Kossler, CEO of Sachtler Camera Dynamics GmbH, explaining how the Sachtler Academy came into being. However, this original service concept has developed into an institution that has become an important address for customers and users when know-how transfer and practical experience are in demand.

Encouraging the newcomers

A wide range of workshops and training sessions are featured at the generously-sized studio rooms. In co-operation with partners from the worlds of camera, film and television technology, the Sachtler Academy also runs workshops involving more than one manufacturer, so that new paths may be taken together. ”The Sachtler Academy has developed into a platform for all those who want to play a part in shaping the future of the film business, whether manufacturers, camera operators, studio professionals or students. We are particularly interested in encouraging young talent in the film and TV world, working closely with colleges and academies for media, film and television,” says Marion Ahrensfeld, who is responsible for the Sachtler Academy. Above all, insights are given into the technology and systems used for video, film and studio work.

The Sachtler Academy is open to everyone who wants to gain know-how, share his or her knowledge and exchange experience with colleagues in the business.  ”We want to do more than just pass on our know-how: we want to learn, too. The feed-back we get on what our customers and partners need is channelled directly back into our technical innovations,” stresses Heinz Kossler. For details of the current range of workshops, multi-media impressions or contacts, see www.sachtler-academy.com.

Today, ENG is becoming increasingly competitive, with growing demands for precision, speed and image diversity and – at the same time – lower production costs. Here, the artemis DV Pro offers a host of features that make all of this possible:

• Optimized dimensions and lightweight construction
• Compact modular design (the system is completely dismountable and can later be upgraded with more advanced modules)
• No-tool adjustment of the side-to-side-module
• No-tool telescopic center post
• No-tool self-centering, high-precision gimbal
• No-tool monitor bracket that holds a 7" (17.8 cm) 16:9 4:3, Pal/NTSC TFT Monitor
• No-tool lower sled with finely adjustable dynamic balance
• 12V and 24V operation, HD RGB and HD SDI signal processing all possible
• Battery bracket for Anton/Bauer, PAG and Sony V-Mount
• Back-mounted vest
• Spring arm with exchangeable spring sets for cameras from 1.5 to 9.5 kg (3.3 to 20.9 lb)

With all these features, the artemis DV Pro perfectly complements the rest of the artemis range, which includes:

• artemis EFP – the broadcast system for EFP and ENG operators who use SD video cameras and 16 mm film cameras. Its modular construction means the system can be upgraded right up to the artemis Cine HD.
• artemis EFP Pro HD SDI – the universal cross-over system for modern day-to-day production. This system enables direct switching of all common HD RGB, HD SDI (up to 3 GHz) and SD signals to the moni-tor. In addition,
  12 V / 24 V switching enables applications that include film
• cameras to be used with this system.
• artemis Cine – the classic system for all film and SD video applications satisfies all production
• demands and camera operator requirements.
• artemis Cine HD – the state-of-the-art system that features all the functions of the Cine version, in addition to patented internal HD (RGB) wiring and switching.

All models within the artemis family also offer the following unbeatable advantages: they feature modular construction and metric dimensions, are upgradable and therefore future-proof, are fully compatible with
all popular American products and – last but not least – are “Made in Germany”!

The ballast unit operates with a frequency of 300 kHz. This results in a luminaire that is absolutely silent, and also provides flicker-free light that can be used for all kinds of production applications. Benefits provided by the ClearArc© technology used include an approximately 20 % longer lamp life and higher light output by
preventing deposits on the inside of the lamp bulb. The built-in ballast unit results in a compact and highly mobile luminaire that no longer requires a heavy extension.
The luminaires can also be optionally fitted with a DMX–interface with which they can be switched on or off, or dimmed from 100–50 %.

The Director II Universal HMI is available as either a fresnel lens luminaire or a PAR luminaire (including a lens kit), and in wattages of either 575 W or 1,200 W – making a total of four different versions on the market now.

The fluid head, which weighs 6 kg / 13.2 lb and has a payload range of 3 to 35 kg / 6.6 to 77.2 lb, is perfect for almost all HD and film production demands. Fast and reliable camera balancing is ensured using Sachtler’s proven step-switching – the Cine 30 HD itself offering 18-step counterbalance. In addition, the payload range can be switched between “High” and “Low” using a boost button. According to the camera’s weight, operators can employ seven horizontal and seven vertical grades of drag (plus the obligatory “0”) to enable smooth, jerk-free panning. And to top it all off, the head features a tilt range of +90° to -75°. The Cine 30 HD also comes in two complete system packages with different tripods.

The clamps used to fix the tripod legs’ heights are now considerably larger and easier to use. This is especially practical in icy temperatures, where operators can now loosen and tighten the clamps easily without removing their gloves. Significantly larger spikes further improve tripod stability on uneven and/or soft ground. In addition the tripod legs’ stiffness can be set – tool-free – using levers at the tripod. A spreader and mid-level spreader as well as the Dolly Cine are available as optional accessories.

With sales of over 50,000 units, the Video 18 is one of the most successful
ENG heads in the world – one reason why further enhancement to the head has created so much excitement. Just before IBC 2005, Sachtler launched five new SPEEDBALANCE fluid heads. With their payload ranges of 1 to 16 kg / 2.2 to
35.3 lb, the five heads – Video 15 SB, DV 12 SB, DV 8/100 SB, DV 8 SB and
DV 6 SB – offer high-precision and extremely fast counterbalance for all digital camcorders from broadcast to MiniDV. Each of the heads is also available in total system packages that include a tripod, spreader and cover or padded bag.

When developing these new fluid heads, Sachtler has continued to follow its secret of success – step switching. It allows camera operators to optimally balance the fluid head and camera in no time at all. While stepless systems often require time-consuming adjustments by trial and error, graduated-step counterbalance gives you perfect set-ups on demand.