7 Ways to Successfully Transition from Photo to Film by Award-Winning Filmmaker Stephen McGee
Stephen McGee is a two-time Emmy Award-winning filmmaker who works with a wide range of commercial clients, non-profit groups, journalism outlets, and more including Ford, The Obama Administration, Intel, The New York Times, Chevrolet, CNN, the NFL, and Good Morning America.
As I look back over the past 15 years, growing in my career was as much about creating work as it was about how I approached the challenges and successes in life. To help future filmmakers, this article will break down some of the overall truths that I lived by in my transition from a photojournalist to a pretty successful independent filmmaker.
1. Pay Attention to What’s Around You
As a DP or camera operator, the way you uniquely see the world is important to how you shoot. This means the way you actually see, what details you pay attention to, the colors you like, the people and subjects you are drawn to, etc. This is what makes you different from other filmmakers and, ultimately, is what gets you hired.
Find a way to translate what you are seeing to your video. Foreground and background elements move constantly and can transform an average shot into an extraordinary one so don’t be afraid to look around and be aware. I frame my subject in their environment and once I have that, I look at all the contributing elements – leading lines, subtle details, details that should be included in the frame, and what should be left out. Usually, all of those are fixed with micro adjustments. I frame details with my Small HD 502 EVF and then use my RED on-camera monitor as a reference to notice what is around me. It’s a constant play between those two viewpoints.
From a day to day standpoint, a smartphone is a great way to explore different angles. I’ve taken most of my favorite photos with my iPhone. As you do this more and more, you will recognize great angles and more details that can transform your images.
2. It’s All About the Story
I started my career as a news photojournalist and great photojournalists and photographers can tell an entire story in a single photo. I noticed that these same photographers can sometimes struggle when it comes to successfully using a video camera. This is because news photography is about capturing peak moments while filmmaking is about telling a story through sequences. The key here is to never forget the story and how each sequence should advance the story or add to it in some way.
Some sequences are better captured on film than photography and you can’t tell a great story without the proper gear. Nothing will jar your viewer out of your story faster than a jerky move or shaky video, let alone terrible audio. For me, my top three essential supports are a tripod, a gimbal, and sometimes a slider or shoulder rig. My Freefly M10 gimbal is important because it allows me to be mobile and to capture the scene around me as it unfolds. I see the gimbal as a way to connect the space in between my photos where I would have normally just walked, however, you just can’t replace a gimbal with a good, solid tripod. I had forgotten what a great tool a tripod was until my most recent project.
In Anthem of Us, I was tasked with telling the story and capturing the feeling of modern day Detroit. This was after years of recession and people moving away; there was a particular feeling in the air. I needed to tell this story in an authentic way without being cliché. I was able to use the Sachtler Cine 7+7 with a quick release plate to capture some of these shots. The Cine 7 + 7 is so smooth. That is what you get from a premium tripod. It allowed me to do the most gentle push into these really subtle shots, letting the viewer connect with what they were seeing on the screen. Not only that, but it’s easy and fast to setup and allows the motion in your environment to translate into your shot, which provided great stability so that viewers have time to connect with the subject in the frame.
The effect worked and the film really resonated with audiences. Platinum-selling artist Big Sean saw the film and agreed to do a candid, interview-style voiceover. As a result of our efforts, the film received over 400,000 views online in just a couple of days after its release.
3. Take pride in humble circumstances and use that time to grow
Even after winning back to back national Emmy Awards, I had three years as a freelance director/DP/photojournalist living below the poverty line, despite the fact that I was hired by all the big journalism players at the time: CNN, Wall Street Journal, New York Times, BBC, AJ, and a dozen more.
But that work didn’t fill my time. I had my own camera, a tripod, slider, a bike, and a dedication to what was around me, so I hit the streets and made films that mattered to me. I treated myself as my client with my constant need to improve my eye and develop a style that I eventually got paid for. Around that same time, I became extremely dedicated to the simple “pillars” of great storytelling and cinematography; studying the masters with the sound off, moving my camera in styles I was inspired by, etc. Ultimately, not having enough gave me more to do and while complaining in tough circumstances was only natural, I instead created a body of work that I was proud of and got me recognized.